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ten years of prestige

Sir William again asked Captain Acton if he had heard the news.,

"Why, teacher, it's jest as bright as ever," cried the boy. "It fair seems to laugh as it swings 'round an' jumps down the bay like a long, white arm.",

Whilst he stood in reflection at the cabin table, the steward Paul came down the steps bearing a tray of refreshments so prettily decorated as to prove that the ship's cook had been chosen with judgment. The pyramid of sandwiches might have kindled a light in the dulled eye of one lying oppressed with nausea. In addition were a plate of cold tongue, a small plate of brawn, with two or three other delicacies. On the tray stood a bottle of red wine and a tumbler. Mr Lawrence told Paul, handing him the key as he gave him the directions, to take the tray to Miss Acton, place it on the table in perfect silence, and quit the cabin, making no answer if she spoke to him. When this was done and the key received by Mr Lawrence, he took a tumbler from a rack[Pg 289] out of the skylight and entered the berth which under the name of "sick-bay" had been fitted up for his own use. Here he contrived to find a bottle of brandy, a small caulker of which without water he swallowed.,

"What did you have t' give him?"

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What could such an association as this end[Pg 450] in, but in such a love between the two as must prove irresistible sooner or later as an appeal?,

"I'm the feller that owns the coon you tried to club to death," Billy answered.,

Nelson, standing beside his lieutenant, who might have been Pasco (the officer who, on the 21st day of the following October, made[Pg 400] the Nelson signal that is as dear as his heart's blood to every Englishman), acknowledged the salutations of the schooner's quarterdeck and the mobs in her rigging by bows and a smile, and a lifting of his hand and certain flapping motions of the stump of his right arm, an action into which he was frequently moved when irritated or pleased.,

Lucy heard a church bell strike: she started from a fit of abstraction, and, turning to move on, confronted an old man who was crossing the bridge. The face of this old man was pale and wrinkled; his hair was long and quite white. His nose streamed down his face in a thin, curling outline; his mouth when his lips were compressed might be expressed by a simple stroke of a pencil.[Pg 30] His eyes were deep-seated and extraordinarily luminous and swift in their motions, and his eyebrows, which were as white as his hair, were so thick and overhanging that they might have passed for a couple of white mice sleeping on his brow. His apparel had that dim and faded look which in fiction is associated with miserliness. His high and dingy white cravat and the tall build of his coat at the back of his head, so sloped his shoulders that they looked to make a line with his arms. He wore a faded red waistcoat which sank very low, and under it dangled a bunch of seals. His knee-breeches left painfully visible the pipe-stem shanks clothed in grey hose and terminating in large shoes, burdened with steel buckles.